Jean Francois Millet
1814-1875
French
Jean Francois Millet Galleries
Millet was the first child of Jean-Louis-Nicolas and Aim??e-Henriette-Adelaide Henry Millet, members of the peasant community in the village of Gruchy, in Gr??ville-Hague (Normandy). Under the guidance of two village priests, Millet acquired a knowledge of Latin and modern authors, before being sent to Cherbourg in 1833 to study with a portrait painter named Paul Dumouchel. By 1835 he was studying full-time with Lucien-Th??ophile Langlois, a pupil of Baron Gros, in Cherbourg. A stipend provided by Langlois and others enabled Millet to move to Paris in 1837, where he studied at the Ecole des Beaux-Arts with Paul Delaroche. In 1839 his scholarship was terminated, and his first submission to the Salon was rejected.
After his first painting, a portrait, was accepted at the Salon of 1840, Millet returned to Cherbourg to begin a career as a portrait painter. However, the following year he married Pauline-Virginie Ono, and they moved to Paris. After rejections at the Salon of 1843 and Pauline's death by consumption, Millet returned again to Cherbourg. In 1845 Millet moved to Le Havre with Catherine Lemaire, whom he would marry in a civil ceremony in 1853; they would have nine children, and remain together for the rest of Millet's life. In Le Havre he painted portraits and small genre pieces for several months, before moving back to Paris.
It was in Paris in the middle 1840s that Millet befriended Constant Troyon, Narcisse Diaz, Charles Jacque, and Theodore Rousseau, artists who, like Millet, would become associated with the Barbizon school; Honor?? Daumier, whose figure draftsmanship would influence Millet's subsequent rendering of peasant subjects; and Alfred Sensier, a government bureaucrat who would become a lifelong supporter and eventually the artist's biographer. In 1847 his first Salon success came with the exhibition of a painting Oedipus Taken down from the Tree, and in 1848 his Winnower was bought by the government. Related Paintings of Jean Francois Millet :. | Sheep | Women in the forest | Go to field | The Winnower | Two shepherden | Related Artists: Bernardino FungaiItalian
1460-1516
Italian painter. He is recorded in 1482 as Benvenuto di Giovanni garzone at work on the monochrome frescoes decorating the drum of the cupola of Siena Cathedral. Most scholars have accepted Benvenuto as Fungai teacher but stress the greater influence of Matteo di Giovanni; other proposals have included Giovanni di Paolo and, following the reattribution of paintings traditionally ascribed to Giacomo Pacchiarotti, Pietro Orioli. Fungai depended heavily on the preceding generation of Sienese painters and was considerably influenced by the contemporary activity of Pietro Perugino, Luca Signorelli and Bernardino Pinturicchio in and around Siena. His works are characterized by the docility of the figures, a keen decorative sensibility in the use of colour and the treatment of drapery and landscape, and a pleasantly engaging narrative skill. Although identification of works from his early career is problematic, a sizeable oeuvre has been ascribed on the basis of a signed and dated altarpiece executed for S Niccole al Carmine depicting the Virgin and Child Enthroned with SS Sebastian, Jerome, Nicholas and Anthony of Padua (1512; Siena, Pin. N.).
Erasmus Quellinus1607-1678 Flemish Erasmus Quellinus Gallery Gyula BenczurGyula Benczur (1844 - 1920) was a Hungarian painter and pedagogue. He won international success with his first few paintings, winning several competitions. He assisted Karl von Piloty with the frescoes of Maximilianeum and Rathaus in Munich. He also illustrated books by the great German writer, Friedrich Schiller. He was commissioned by the Bavarian king Ludwig II to paint Rococo themes. Later he was offered numerous international teaching positions, including offers in Prague and Weimar, but accepted a position in Munich, one of his most distinguished pupils being the Swiss-born American painter Adolfo Meller-Ury. Benczur was later a favorite among the Hungarian upper-class, painting numerous portraits of kings and aristocrats. He was considered a rival in historical painting to Makart. During his lifetime, Benczur won numerous awards. His self-portrait is on display at the Uffizi Gallery in Florence.
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